Lo sexual tiene un fin próximo y banal: el goce, forma inmediata de satisfacción del deseo.
¿Qué ocurre con un "deseo que pasa íntegro a la demanda"? ¿Se trata aún del "deseo" de la mujer? ¿No is that a characteristic form of madness that has little to do with "liberation"? What is this new configuration, and female, of a sexual demand unlimited, enjoy an unlimited demand? Indeed, that's the cutoff point at which precipitates our culture - and hidden Roustang is right, a form of collective violence subsuicidal - but not just for men: for women too, and for sexuality general.(Baudrillard, De la seduction , chap. The eternal irony of the community).
sexual liberation. Emergence of the porn industry. In Splendor in the Grass to Deep Throat .
was a powerful irony of the feminine seduction, today there is another very powerful in its vagueness and ambiguity that makes its promotion as a subject is accompanied by a worsening of their status of purpose, say, a widespread pornography.(ditto).
Sexual liberation has no limits. As such continuity and that can only embody utopian disponibilidadd females, there is the feminization of society.
In fact, we're in an original sexual violation and violence - male violence against "subsuicidal" triggered by feminine jouissance. But this is not a reversal of the historical violence toward women by male force. This is a neutralization violence, depression and collapse of the term marked with the emergence of unmarked term. Violence is not a full, generic, but a deterrent violence, violence the neutral, the violence of degree zero.(idem).
Pornography is also true: sex violence neutralized.
In politics, we see a female fascism, a fascism very subtle about freedom and "democratic opening" in Cuba (which means: make your legs again to fuck you America, Cuba as a brothel of the Empire, the "backyard" ninety miles from Miami). Therefore, it is not unusual (but the other, the settlers in that feminization, talk about terrorism) that the young left-wing radicals scream FASCISTS OUT OF COLLEGE.
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